Author: Press Room

Jimmy Kimmel also offered the singer an opportunity to fulfill her long-held dream of being a babysitter Olivia Rodrigo stopped by Jimmy Kimmel Live to perform her evocative single, “The Cure,” and to chat with Jimmy Kimmel about her forthcoming LP, You Seem Pretty Sad for a Girl So in Love. The singer, clad in a white gown, showcased the emotionally-wrought number alongside her live band while surrounded by a pile of red microphone cords. “My head is full of poison, and my heart is full of doubt/ I got toxins in my bloodstream and you tried hard to suck…

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Music and animal protection meet in I want you endlesslythe new single performed by the singer-songwriter Francesco Serra and born from the collaboration between Prima la Musica Italiana ed ENPAthe National Animal Protection Agency. The project, designed for summer 2026, uses a song and a video clip to convey an awareness message on the bond between people and animals, with part of the royalties donated to ENPA. The initiative aims to reach the new generations above all through music and social media, the channels in which opinions and behaviors are formed today, as the national vice-president of ENPA explains. “To…

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Noel Gallagher has shared why he won’t be watching the Chris Martin-curated World Cup haltime show. The Oasis legend appeared on TalkSport to discuss the upcoming World Cup final, to be held in East Rutherford, New Jersey on July 19. The final will consist of a halftime show curated by Coldplay‘s Chris Martin – who has enlisted massive stars Madonna, Shakira and BTS to play. When asked if Gallagher would join in with any of his own performances, he jokingly responded: “I’m doing the half-time raffle for a leg of lamb.” He continued to say he wasn’t a fan of the upcoming show, explaining:…

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“Vespers”, the first EP of BAUSANarises from this relationship between experience and transformation. The five songs that make up the album outline a fragmented and coherent path, built on subsequent returns and variations. The writing moves between essential images and repetitions that open up the meaning, returning a narrative that proceeds through emotional stratifications rather than linear development, allowing an urgency to emerge that settles over the time of listening. Listen to “Vespers” On the sonic level, “Vespers” interweaves an alt-rock of singer-songwriter origin with more rarefied openings and controlled distortions. Highlighted bass, granular guitars and atmospheric synths define a…

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Lately, the Backrooms have felt inescapable. The breakout horror movie now reigns as A24’s highest-grossing film to date, but the lore bears repeating: In 2019, a a drab office space with sickly yellow wallpaper, photographed from an askew angle, was shared anonymously on 4chan. A comment suggested this place lies on the fringe of reality and you could slip into it and get lost forever. The post quickly became a vaunted piece of creepypasta, influencing everything from Severance to Playboi Carti, and it has been adopted as everyday parlance to describe any eerie, liminal space. A 16-year-old Kane Parsons ran…

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Not all artists make their debut with a musical project. Some make their debut before even publishing a song, building an imagination, a community, a way of being in the world. Tära belongs to this category. His music arrives as the culmination of a journey that began much earlier, between personal research, diasporic identity and the need for representation.Tära, stage name of Tamara Al Zool, is an Italian-Palestinian singer and content creator who in recent years has built a loyal community on social media addressing issues such as diversity and belonging. After establishing herself online thanks to an authentic account…

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When Francisca Cuello picks up a chainsaw in the dual video for “Ultra Terrorific Fantasy” and “Not ur mom,” the color of the blood dripping from her grinning mouth matches her bikini, like she’s performing in a hentaification of The Texas Chainsaw Massacre. The Argentine artist has built her Six Sex persona by weaponizing a hypersexuality that she has both gleefully embodied and had thrust upon her. In the second song, a fuzzy disco-gabber dream grounded by a melody that channels Donna Summer’s “I Feel Love,” she lays out the ethos for ULTRA, her debut album: “Lo que a mi…

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At a recent performance at the Whitney Biennial, Sammi Katzmann played a run on saxophone while Jenna Pascale bore down on her cello with such weight and precision it seemed as if the bow were forged from titanium. They had been darting close and drifting apart for a while, then suddenly happened upon a perfect harmony. It sounded like beauty and it sounded like terror. The two musicians looked at one another and began to cry. They had communicated telepathically and for a moment became one: KatzPascale.The duo formed two years ago, shortly after meeting while working as hired guns…

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