Author: Press Room
Among the guests, Morgan, Simone Cristicchi and Juri Camisasca Daniel D`Amico for SANREMO.FM
Who said that bands necessarily have to change with each new release? And if for some the pond remains, paradoxically, the best escape route from the useless noise of today? Well, the Boards of Canada, who return thirteen years after “Tomorrow's Harvest”, act like the immobile stone at the bottom of the river, both to mock the current and everything that, all too often, flows uselessly on the surface, and to not let themselves be overwhelmed by the adversities of a rather crazy era. A parable mostly associated with the figure of Buddha and oriental tales that teaches how true…
1963: Alan Wilder, keyboardist and singer of Depeche Mode, is born in Hammersmith, UK. Daniel D`Amico for SANREMO.FM
“Mi presentarono i miei cinquant’anni”. Ma stavolta senza contratti da firmare col circo Pace e Bene a girare l’Europa… “Bufalo Bill” compie mezzo secolo ma non invecchia, anzi, rimane più che mai al centro della storia artistica di Francesco De Gregori. Eppure l’Lp del 1976, che da sempre si contende con il predecessore “Rimmel” il titolo di miglior disco del cantautore romano, nacque in circostanze surreali. L’intero album venne registrato infatti in poco più di una settimana, con un suono molto “live”, quasi in presa diretta. Come a voler prendere le distanze preventivamente dalle critiche di eccessiva patinatura cui De…
M.I.A. has sued Kid Cudi for more than $2.8 million after the musician, whose full name is Scott Ramon Seguro Mescudi, removed her from his Rebel Rangers Tour following “offensive remarks” she made while serving as opener at a recent gig. In a complaint filed in the United States Court District of California Western Division on May 29 by M.I.A., born Mathangi Arulpragasam, and obtained by Rolling Stone, the singer claims that Kid Cudi knew her political beliefs and reputation before he asked her to open the Live Nation-produced Rebel Rangers Tour. “M.I.A. was terminated to generate publicity for the…
An unreleased album arrives for a great (and forgotten band), which fused rock, punk and horror Daniel D`Amico for SANREMO.FM
Morgan Wallen ran into some technical difficulties during a Denver stop on his ‘Still the Problem tour’, and took it out on his piano. On Friday night (May 29), the country singer was drawing to the end of his show at Empower Field at Mile High Stadium, and had kicked off the encore with ‘Sand in My Boots’, a fan favourite sing-along piano ballad. However, it appeared that Wallen actually couldn’t hear the instrument as he played. In fan-shot footage, he can be seen abruptly standing up mid-performance, opting to finish the song a cappella before heading back to the piano,…
“Music does something to people that we haven't found the words for yet.” Behind the console Solomun talks about a culture, that of clubbing, changed in every aspect, but faithful to its deepest roots The post An Intro by Mladen Solomun first appeared on Rolling Stone Italia.
Jay-Z served as the headliner for Roots Picnic on Saturday in Philadelphia, and he surprised fans with a provocative freestyle right at the get-go. During his first headlining show in more than five years, he performed 32-songs over the course of 90 minutes and along with delivering his big hits, he also dropped disses on haters that include Drake, Kanye West, and Nicki Minaj. Just minutes into his performance, he took his first apparent shot: Following 2002's “Hovi Baby,” he dropped a four-minute freestyle. Performing a cappella, he seemingly went off on Drake, addressing his Iceman song “Janice STFU,” where…
On the occasion of the release of Paul McCartney's new album, “The Boys Of Dungeon Lane”, which is already thrilling fans and critics, the British magazine Mojo has decided to tidy up the ex-Fab's discography, establishing a hierarchy from the worst title to the absolute top of his post-Beatles production. Biographer Tom Doyle has retraced the entire career of the former Beatle, ranking all his albums. “At 27, after the end of the Beatles, Paul McCartney felt almost superfluous – recalls Mojo in the introduction – He compared his situation to that of the astronauts returning from the Moon: 'What…
