Author: Press Room
During the second night of her Lux Tour at Madison Square Garden Rosalía invited Saturday Night Live cast member Marcello Hernández to give his confession. During the show, the singer welcomed her “queridisísimo” to the stage for a segment where she asks notable guests to speak candidly. “Marcello, you know we’re here — you can speak in Spanish, in English, however you like. But it’s very important to tell the truth here,” Rosalía told Hernández, who also made an appearance at Sabrina Carpenter’s Madison Square Garden show last year. “So, is there something you’d like to confess?” “Bueno, I have a…
Can we get a “WOO-HOO”? For “lost” albums to see the light of day during an artist’s lifetime is something of a rarity. Fortunately, Graham Coxon is very much alive and kicking and has gifted us with his ninth solo LP ‘Castle Park’. Recorded in 2011 during the sessions for ‘A+E’, it fell by the wayside as Coxon found himself occupied with another Blur reunion tour and album. It was then further buried by his soundtrack work on The End Of The Fucking World, his graphic novel and accompanying music for ‘Superstate’, his life as half of The WAEVE with…
The former Sonic Youth musician released his third solo album in March Kim Gordon stopped by The Tonight Show to perform her recent song “Play Me.” The musician, clad in a Knicks jersey, took the late-night stage alongside her band to showcase the blues-y rock tune, off her recent album of the same name. Play Mereleased in March, is the former Sonic Youth member's third solo album. For the LP, Gordon teamed up again with Justin Raisen, who collaborated with her on her past two solo efforts. Her goal with the record was for it to be “more beat oriented…
[15 giugno 2026 – Los Angeles] – Fifty years ago Bob Marley & The Wailers were the protagonists of four evenings at Hammersmith Odeon of London, England, from 15 to 18 June 1976, to kick off the second stage of the their Rastaman Vibration tour. The concerts were all sold out and the turning point came for the group and Marley. For the first time everyou can finally experience the magic of these historic concerts, with the release of the new live album Roots, Rock, Reggae: Live at the Hammersmith OdeonFor Tuff Gong/Island/UMe. The 18 tracks of the album mixed…
In Divine Interventiona piece about ignoring the apocalypse contained in the Rolling Stones' 25th album, Mick Jagger confesses that at one point he was so worried about the end of the world that he even consulted a psychic in Hollywood. “I asked her: what's my future? Well, she threw up,” he sings over a guitar boogie that recalls Some Girls. The message of the chorus is that, even when the world is ending, “dystopian values are too hot to handle, and I'll be gone in a blaze.” Now this is the Mick we know.After all, the man who sang it…
Bad Gyal è la girlboss definitiva. Lo sanno bene in Spagna dove da oltre 10 anni guida una nuova scena di donne indipendenti, libere, che non chiedono permesso. Lo sanno in Sud America e nell’America centrale dove il suo nome, grazie a collaborazioni con Karol G, Tokischa, Young Miko, Ozuna, Anitta, J Balvin e alla recente data in cui ha condiviso il palco con Bad Bunny («un momento importante della mia carriera») è oramai così conosciuto da garantirle un tour nelle arene delle capitali, dall’Argentina a Porto Rico. Anche gli Stati Uniti, che di musica latina e spagnola sono ghiotti,…
Global copyright: the majors at the Supreme Court to overturn the Vetter ruling Daniel D`Amico for SANREMO.FM
Daniele Silvestri come back with Deckchair Songs (live in the studio)new album for Epic Records / Sony Music Italy. A project that recovers some less exposed songs from his discography to present them in a new guise, starting from the idea that a song can continue to speak to the public even years after its release. This is not a celebratory collection nor a simple rereading of the repertoire. The aim is to bring attention to compositions which, according to the Roman singer-songwriter, deserve a new listening opportunity. Deckchair songs, an album that looks beyond novelty The project was born…
Much is made in current dance culture about electronic music as an outlet for queer joy. Earlier this year, for example, when Charli XCX declared that “the dancefloor is dead” in her latest news-cycle-consuming PR stunt, it provoked worldwide outcry from DJs and producers who argued that denying dance music’s modern ubiquity robs Black and queer communities of the ecstatic temples that they built, across decades, as an antidote to adversity. And while that retort isn’t inaccurate, it can be a little unintentionally reductivist. What about queer pain, queer sorrow, queer fear, queer anxiety? These emotions are just as central…
Osees can be a forbidding proposition, even for longtime followers of John Dwyer’s garage-psych armada. Beyond his infamously relentless rate of output (and all the frequent rebrandings and extracurricular pursuits he’s initiated along the way), Dwyer’s music is actually becoming more caustic and confrontational as time goes on. Over the past decade, Osees have reinvented themselves as prog-metal warriors, hardcore agitators, and synth-punk freaks, investing each new permutation with the same degree of blitzkrieg aggression. And while they’re no strangers to bizarro artwork, their recent album covers have proven to be particularly potent nightmare fuel—for a rock band, they make…
