Author: Press Room
After over twenty years of activity, August Burns Red do not seem interested in rewriting the rules of their own metalcore language, but rather in testing the durability of their… Daniel D`Amico for SANREMO.FM
Taylor Swift has sung the praises of Paul McCartney, saying she’s “never not inspired” by the Beatles legend. READ MORE: Paul McCartney – ‘The Boys Of Dungeon Lane’ review: a guided tour of the long and winding road McCartney released his latest album ‘The Boys of Dungeon Lane‘ last Friday (May 29) – the twentieth solo album by the Liverpudlian. The album was critically acclaimed when it landed, with NME giving the record a four-star review: “While it’s tethered to the past, what’s most impressive about ‘Dungeon Lane’ is how fresh it sounds”. Now, Taylor Swift has joined in with her own…
The digital store was a point of reference for dance and electronic music lovers Daniel D`Amico for SANREMO.FM
The singer requested the tech owner reinstate X’s audio post feature while insulting him Doja Cat took to social media to request that Elon Musk bring back X’s audio post feature, which was discontinued from the site last year. Her approach will likely not have the intended results, however, as the post contained several insults along with the plea. “hey elon if u see this please put the audio post feature back on here,” Doja Cat wrote on X late Wednesday night. “Thanks, u frog build looking bitch. Barrel chested ewok u look like u eat sand.” A few hours…
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Violet Grohl appeared on The Tonight Show to perform her song “Bug in the Cake.” The musician, the daughter of Foo Fighters' frontman Dave Grohl, showcased the rousing, grungy track alongside her live band. “Bug in the Cake” comes off Grohl's debut album, Be Sweet to Mewhich arrived on May 29 via Auroura Records/Republic Records. The LP was recorded from late 2024 into early 2025 at producer Justin Raisen's Los Angeles home studio alongside musicians assembled in the spirit of the Wrecking Crew session players in the '60s and '70s. When the album was announced, Grohl said she was inspired…
The concert of Garbage expected for Thursday 25 June 2026 al Music Park Of Milanchanges location for logistical reasons and moves to Alcatrazalways in the same date and with i Destroy Boys at the opening. All the tickets already purchased are valid for access and the possessors of Pit sector tickets will have the right toearly entry to the venue (all times will be communicated close to the concert). GARBAGE Support: DESTROY BOYS Thursday 25 June 2026 Milan, Parco della Musica – via Enzo Jannacci New venue: Milan, Alcatraz – via Valtellina, 25 Start of concerts h. 8.30pm Single standing…
Francesco De Gregori returns to prime time on TV. Wednesday June 4th Rai 3 transmits Francesco De Gregori. Nevergreenthe documentary film directed by Stefano Pistolini and presented last year at the Venice International Film Festival. Anyone unable to follow it live will find it available on RaiPlay. Where and when to see De Gregori's documentary film Nevergreen The appointment is for the first evening of Rai 3 on Wednesday 4 June. The film, produced by Our Films, Friends TV, Darallouche And Caravantells the Milanese residence to Out Off Theater which saw De Gregori perform every evening in front of around…
The 2026 Glasgow edition of WOMAD Festival has been cancelled due to low ticket sales. WOMAD, which stands for World of Music, Arts and Dance, was founded by Peter Gabriel in 1980 with the aim of spotlighting an eclectic mixture of genres. Since then, the festival has travelled to 27 countries across the world. In December, it was confirmed that the event would be taking place in Glasgow, the first Scottish edition of the festival, and set to take place at Kelvingrove Park on July 3 and 4. Now, Glasgow Life – who were working with the festival organisers to…
Despite a handful of boldface names in the credits—Porte, Bruinsma, keyboardist Duval Timothy, cellist Lucinda Chua—Music for Existing isn’t really a solo album peppered with features; it’s more like an epistolary collage. To create the record, Martyn sent his friends brief sketches of ideas he’d worked up in the studio; once they sent back their own contributions, he set about cobbling it all together, cutting and rearranging to his heart’s content. That approach helps give the record its unusually loose rhythmic feel. Nothing feels snapped to an arbitrary grid; while the tempo doesn’t vary from bar to bar, what happens…
