French Saints they're back with a new song. Surprisingly, the duo formed by Alessandro De Santis And Mario French published on its official channels Fogaccompanied by the official video clip. The single arrives two months ago Guerrilla and represents a new step in the artistic journey undertaken in 2026.
With this release i French Saints they continue the work that will lead to the publication of a new recording project, intended to collect the first unreleased songs published after the EP It may not matter.
Fog opens a new chapter for the FRENCH SAINTS
Fog And Guerrilla they are the first songs of the duo's new musical project. On the recording level they also mark the beginning of the collaboration with Asian Fakeunder the umbrella of House of Music (HOM)while distribution is entrusted to Sony Music Italy.
After a song like Guerrillacharacterized by a more rock sound and a direct approach both in writing and in the way of telling reality, Fog seems to ideally close that path. Even the choice to release it without warning, in an unusual period compared to traditional recording strategies, confirms the duo's desire to follow times and methods dictated exclusively by their own expressive needs.
What is he talking about Fog
The new single goes through emotions related to loss, the search for answers and the need to find oneself. Music becomes the place in which to vent doubts and anxieties, while the title recalls a condition of bewilderment that accompanies the entire piece.
THE French Saints they describe the birth of the song like this:
“The song was born in a very short time, like those things you feel you have to get out quickly. A kind of virus.”
The production also plays on the contrast between very different sound elements. The strings were entirely played and recorded by Giulia Pecora on the violin and Clarissa Marino on the cello, while the voice was recorded using a tape recorder from the nineties, the same type of device used in the past by journalists for voice notes.
“The voice, on the other hand, is sung into an old tape recorder from the 90s (used at the time especially by journalists to take notes) to create a contrast with the cleanliness of the strings, as if to provoke, to ruin something potentially polite”.
Cover image by Agnese Carbone
