The review of the concert by Tiziano Ferro to San Siroa stop on his 2026 stadium tour, starts from a necessary premise. “Tiziano Ferro has no voice”, “Tiziano Ferro is out of shape”, “Tiziano Ferro no longer does what he did before” and many other sentences were written after the zero date of his new tour, which had produced the virality of a couple of videos lasting a few seconds, through which social haters had already ruled on a concert lasting almost 2 and a half hours.
A few seconds to evaluate two and a half hours of live broadcast and another 25 years of career is a record of social stupidity which, in reality, we now see and read every day so it is not surprising. The one who surprised, however, was himself Titian who at the San Siro asphalted every slightest criticism with a show that left no room for misunderstandings of any kind.
A disarming setlist to say the least, given the quantity of hyper-popular songs, and a desire to sing them on the part of its author who left the almost 60 thousand present (sold out) navigating the waves of emotions experienced from 2001 onwards, from that Xdono which started a love story that has continued to this day and will go even further.
Tiziano Ferro among hits from the past and present
Let's start with the most practical information, starting with the start and end times: 9:00 pm on time we started and 11:20 pm we said goodbye. In between, the beauty of 37 songs were sung seasoned with just one cherry, that of Lazza who obviously took to the stage to do his part live XXGIFTthe re-edit of Tiziano Ferro's first hit.
The stage, seen from the San Siro lawn, is gigantic and divided into three sections, very simple in reality, with the musicians on the sides and the 'central nave' where only one person dominated the scene Titian with, every now and then, his dance troupe.
The structure of the show was divided into three actual acts which, however, did not create a difference on a musical level with, perhaps, a faster part, a slower one and then the final explosion. The songs were all hits worth singing, no risky choices from the latest album and no particular gems from previous works.
The concert was a gargantuan greatest hits concert performed live in which the alternation between ballad and uptempo did not reveal any moments of tiredness in the slightest from start to finish.
After the first three songs, obviously the singles of I'm a great onewe start singing with I accept Miracles and it never ends. For those who were wondering even before seeing the setlist on the sidelines of the review, we confirm that he has made any song you may have in mind from his discography. And by any, we mean any.
It's really difficult, if not practically impossible, to manage not to sing and the feeling that each song gives without knowing the set list beforehand is of amazement in thinking that from the youngest to the oldest fan it is impossible not to know these songs.
A concert of hits so well known, from first to last, even by simple accompanists (who were there, not fans, and sang everything anyway) is truly a rarity and confirms once again a key factor of great artists: you have to write great songs to make the stadiums, songs that remain over time and written from the heart.
Tiziano did it and the result was 60 thousand souls who chose to keep him company at the Scala of football and entertainment for an evening that confirms his greatness.
Tiziano Ferro is not the one seen on social media
The time has come to dispel a series of myths about the now famous videos that have gone viral on social media, starting from physical and vocal fitness.
Titian he is in great shape, polished as befits these special occasions and is not in the slightest “overweight” as some faceless and nameless hater has written on various posts.
As for the voice and the accusation of lip-syncing, it is false. Titian he sang live from start to finish, the famous sensation of playback is given by a very simple factor present in only a couple of songs, four or five out of 37 total: the back vocals.
Back vocals are nothing more than pre-recorded voices used to create choirs, multitrack vocal effects or, simply, the sensation of singing in two different tones.
They can be heard at the beginning, they can be heard in some parts that required it due to the production of the song but it is absolutely not true that he didn't sing live and that he had the background voice do everything. 100% false and if necessary we will reiterate this in every possible context because there is video evidence to prove it.
Another thing incriminated with those videos that went viral is the live resistance of Titianboth physically and vocally. This evening the concert lasted 2 and a half hours, almost, and there were never any drops during the entire live show. Inaccuracies dictated by jumps, movements, choreographies every now and then yes because it was not a simple concert but a marathon, one cannot expect that while someone jumps continuously he can control the diaphragm and breathing so well as to be Whitney Houston. Not even Massimo Ranieri would be able to do it with millimetric precision of sound, let alone Tiziano Ferro.
In practice, after having seen Titian Iron live at San Siro we can affirm with documented evidence that everything that went viral on social media were videos that wanted to create a sensation and amazement in the public but which do not represent the real show of this artist.
Another thing to deny, we were almost forgetting, is the phrase “but he always cries”. This is also false, in 2 and a half hours the emotion took over the singing only once The Endthe 31st out of 37 in the lineup, therefore in the last part of the show, and then on a very short monologue made a few songs before to pay homage to the city of Milan. Emotion lasted, perhaps, 10 seconds and was immediately interrupted by a big smile.
The moment dedicated to was very touching Raffaella Carrà with Tiziano rearranging the chorus of in a totally acoustic key Making Love and, while he sang it, he told in a pre-recorded voice how important everything was for him and for the audience.
Conclusions on Tiziano Ferro's concert at San Siro
Having said all this, the final conclusion is (as always now) that you shouldn't trust what social media says and that you should, before commenting, ask yourself if you have the tools to be able to argue something.
Can I comment on a live performance without having seen the whole show? Can I be able to give my opinion on a singer after having seen a minute of show extrapolated from a concert lasting 2 and a half hours? Can I throw mud at a person without first having explored his live qualities and his ability to be on stage without first having seen him?
It is clear that the answers to all these questions include a very simple and very common “no” as it should be. The havoc seen and read in recent days on social media, TikTok and Instagram in particular, against Titian Iron it's one of the most aberrant things to have popped up on the platforms in recent months.
The truth is that Titian Iron he animates that stage with truly and indisputably eternal songs and if, let's say the case, during a song he unfortunately happens to fail, it will mean that he had to go that way on that song but for him to fail every song and almost completely get what to do on stage wrong is one of those falsehoods that it is difficult to understand, if not out of envy.
Tiziano Ferro is back and he did it in the best way.
On the topic of social criticism in recent days, we also refer you to Monica Landro's in-depth analysis: Tiziano Ferro, Lignano's zero date and body shaming on social media.
The complete setlist of the concert, with song titles, albums and years of publication, is available in our article dedicated to the 2026 stadium tour.
