

vote
8.5
- Band:
Teitanblood - Duration: 00:51:58
- Available from: 28/03/2025
- Label:
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Norma Evangelium Diaboli
We finally return to talk about our pages of the Teitanblood, a Spanish team as stirring in the number of record outputs as it is generous in the intrinsic quality of the aforementioned. “From the Visceral Abyss” is in fact only the fourth Full-Lenager official released in over twenty years of career, and follows by six years that “The Baneful Choir” that had marked a very high quality peak in the history of ours, ready and fierce to score an even higher one through the music contained in the latest arrival.
In fact, the time passed, in fact, was certainly not in vain: it served rather to elaborate an infernal work with absolutely impressive depth and flow rate. Relag, therefore, and get ready for the violent shocks of “Enter the Hypogeum”, the first splinter crazy from the crazy speeds and funeral tones with which we are welcomed at the gates of hell: it immediately jumps to the ear the dense and repugnant sound paste processed for the occasion, an inconceivable merger between the bestial guidelines of the first works and the complex sound stratifications of “The Banneful. Choir ”, supported by a ruthless drumming and lethal guitars that never leave the space to breathe and recover.
The general drawing is then even wider with “Sepulchral Carrion God”, which introduces at the beginning and at the end of the statuesque slow times capable of putting the chills, tearing the tense atmosphere that came to create with rapid wild forays from dizzying.
It is therefore time for the title-track, another long invocation where the Teitanblood continue to add and expand gruesome musical scenarios: in this case, a completely deviated melodic vein begins to develop, perverse, perfect for the purpose, destined to break on the infernal latrates of the short interlude “Sevenhundeddogsfromhell” and continue even more brazen in the subsequent “strangling” strangling Vision ”, perhaps the most 'accessible' song on the musical disc, but marked by a vocal performance simply magniloquent by NSK.
To think that such an abysmal, so composite and varied sabbat, is evoked only from a voice makes a lot of reflect on the study and interpretative qualities that underlie “from the viscersal abyss”, both under the item and to all the other tools, remarking a truly unassailable degree of Spanish uniqueness.
“And Darkness Was All” returns stylistically to the first bars of the album, while the fifteen minutes of “Tomb Corpse Haruspex” masterfully contain all that the band has managed to evoke with this work: the song, kissed by brilliant finds of the affectionist CG Santos, is expected to Rawness, the atmosphere and complexity presented by this album, all in a single piece.
Like an ancient medieval grimorio, “from the visceral abyss” does not immediately unfold all its power and its evil branches: it is a job that requires study, attention and discipline, and so it will be able to reveal the countless facets and shapes it possesses, releasing a malicious hint that does not find worthy rivals to date. Immense.
Daniel D`Amico for SANREMO.FM