Photo of Matteo Scalet | Article by Costanza Garavelli
It is the third evening of the Trento Live Festthe heat of a hot day is slowly giving way to a sunset that lazily paints pink shadows, reaching every corner of the Music Arena, when on the stage, with a complicit look and a quick “hello”, they make their entrance i Coma things.
Coma things
Francesca Mesiano, aka California and Fausto Zanardelli, aka Fausto Lamathey were born in Milan as a band in 2016 and are the most extravagant, eccentric, sparkling and genuine couple who treads Italian stages lately. For some years now they have conquered the general public with the contrasts and harmonies of their music, but their success seems to be constantly growing, without gods this trend.
The vibes of the duo are undoubtedly intense, in their uniqueness. California has something fairytale, a nymph post punk that moves mild on stage, which governs a tirelessly multifaceted pop voice. Lama doubles the value of the show, responding to the sound of rap, chainsing rhymes to refrains with screams at the top. They play, between them and with the words, hopping perpetually on the opposite sides of the stage, and then just touched, with the looks and hands, for each verse that contains an emotion.

Their strength lies precisely in the wise contrast between pop and rap, a mix that, far from being dissonant, becomes the key to their success. The fact that Fausto and Francesca are also a couple in real life adds a further layer of authenticity to their performances, making each song an intimate and shared story that resonates with extreme ease in the listeners. This mixture of styles is not only a musical question, but also a clear representation of the themes of their songs. Songs like “Lisk” And “The farewell” They explore the suffering and intensity of a relationship that lives in constant conflict and passion, like their own music.
Rose Villain
They leave the stage greeting the audience like old friends, announcing the imminent arrival on the stage of a unleashed Rose Villainon his first date of the Italian tour 2025, which presents himself with a glam Bad Girl look, perfectly in line with his stage presence. The Milanese singer, in fact, has shown a remarkable mastery of the stage, capturing the audience from the first notes. Although the lyrics of his songs do not always stand out for a great lyrical depth, the charisma with which he presents himself to the public is undeniable. In fact, the fans in the arena respond with an electrical enthusiasm to every invitation, singing with full lung songs such as “Click, boom!”, Based on his album as a Gotham radio debut.

The instinctive connection with the perfomer is therefore immediate, with the fullness of its rebel sensuality witch whoever looks at it and to the public dedicates no complicit smiles without sparing, looking for the exchange, the casino, the fun. He brings the show to his culmination, with an end -set ending on the notes of “outlaw”, a piece that led her to tread the Sanremo stage in its latest edition. He closes the concert like this, Rose, letting the adrenaline meandered among the people collected under the stage, which still has the charge of the first piece, which would be ready to redo everything from the
The evening was definitely successful, coming to touch the emotional strings of different entities, traveling among the various and pressing proposals of the artists, confirming that live music is an inexhaustible engine for exchanges, shares, art and aggregation, which gives the desire to relive them soon.
Daniel D`Amico for SANREMO.FM