“”fuckboy“It is not an accusation, but a cynical satire of the digital ecosystem and fuckboy understood not only as an individual, but also as a social phenomenon that can transcend the genre. It is a surgical dissection of modern relational patterns that reveals the most raw mechanisms.
The song moves on an extreme dichotomy: a pounding and visceral beat that dissolves in an ethereal refrain, where suspended synths accompany a brutal declaration. A sound and emotional short circuit that enhances the contrast between attraction and repulsion, irony and nausea, desire and refusal. “
Listen to Fuckboy
Myricae
Myricae It is an identity in transit, a voice that refuses to be confined by static definitions, constantly transforming itself. He lives music as a cathartic process, a continuous dialogue with sound that becomes a means of self -exploration. After a classical formation and, later, to the achievement of the degree in Songwriting, its path moves away from the academic conventions to embrace the experimentation, leading her to immerse yourself in electronics structures.
In 2024 he made his debut with “Moth“, A single that does not limit himself to introducing his musical universe, but shatters it, dissolves it and recomposes him in a continuous flow of dark electronics, pop and Hyper pulsations. Instability becomes the fulcrum of his sound aesthetic – an unstable balance that does not seek fixed points, but feeds on the transformation.
With “fuckboy“, The artist opens a new chapter of his evolution: a song immersed in dizzying rhythms and ethereal synths, which amplifies his inclination to hyperbole and the paradox, pushing even beyond the boundaries of his sound imagination. For Myricae, each song is only the temporary instantaneous of something that is already slipping elsewhere.
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Daniel D`Amico for SANREMO.FM
