Marracash He returns to speak, and he does it as always without filters in his podcast, Out of the bubblein which he passes through critics on Fedez And Clear Ferragni to that on discography and today's artists.
Marra's is a three -episode podcast made with the journalist Francesco Oggianoavailable on all platforms on 26, 27 and 28 March. All this while the wait for the tour in the stadiums of the rapper departing in June grows.
From podcast to stadiums: Marracash's 2025
After the disc Peace is over – seventh in the studio and former platinum album – Marracash It is prepared for a record year. In June it will start Marra Stadi 2025the first tour in the stadiums for an Italian rapper. These are the dates:
June 6th – Bibione – Municipal Stadium
June 10th – Naples – Maradona stadium
June 14th – Turin – Olympic Stadium
25 and 26 June – Milan – San Siro stadium
June 30th – Rome – Olympic Stadium
July 5th – Messina – San Filippo stadium
Click on the banner to buy tickets
Out of the bubble: three episodes to tell the world of Marra
In addition to the most discussed part, Out of the bubble It is a journey into the mind and experience of Marracash: There is talk of music, culture, politics, relationships, social networks, censorship, and the psychological dynamics that accompany success. Three episodes edited by the direction of Chiara Battistiniout of one day a day starting from March 26, with the full episode available from March 28 on its YouTube channel.
As we said one of the statements that is making the web discuss the most is the one contained in the second episode and concerning the ex Ferragnez.
“The real scam? The story of the perfect love sold as a product”says Marracash referring to the couple Fedez -Ferragni. A lucid, hard observation, which goes far beyond the media case to open a wider reflection.
The perfect love scam: Marracash in the podcast speaks of Fedez and Chiara Ferragni
Marra part defining excessive the fury of the people towards Chiara Ferragni…
“A little too Much, I feel like saying, if a man would have happened the same? I don't know, didn't you pay for it a little too much? Maybe I'm wrong, it seems to me that for other characters who have not been deleted in the scams, of meanness and shit, they were not deleted …“
During the conversation, Marracash He focuses on the idea of reputation, on the culture of cancellation and on the fragility of those who build an ideal public image. Then the stocked:
“The most vulnerable are those that base everything on reputation, on a good reputation […] I am sorry to say it but beyond the real, monetary scam, the panettone, the children, the scam there is the story of love, the real scam, which was then the basis of all that mechanism to sell … Here I find that criminal thing there“
The artist criticizes the patinated narrative of the couple, seen as a model to be imitated but, according to him, far from reality. An illusion, he says, that can generate emotional damage and wrong expectations, especially in the youngest.
“I find that selling, today, as today, to the boys, a concept of love that does not exist or that is however much more multifaceted, much more complex, much more difficult. People should also learn it for not having very high expectations, so as not to suffer because that is not real life.
If you base all your business on selling me a perfect family that people then dream of having and who do not have because it does not exist in reality, since not even yours is, we all know, here, that thing there is a type of crime that has no to do with the money, it is that, however, personally I indignate me more than other things …“
Marracash against discography
Even more important in our opinion are the words of Marracash on current discography and on certain artists. The rapper goes to the topic to explain a verse of one of his songs so many seem to have offended. It is the single Power slap in which Marra Rappa:
“I remind you, child, who you would be with 'is sberla
Without Sanremo, without the summer, without Petrella“
These are his words in the podcast
“I come to clarify why then they all offended … From the phrase of the song it seems to me to understand that the subject of criticism are the artists, not the authors. Why would you be, artist, without the authors and without going to Sanremo? My controversy is not on the caring, the authors are good. Davide Petrella, as well as a friend, is a fantastic author … He is truly among the best, he wrote songs that are in the history of Italian music.
The caring has always existed my controversy is more on industry, on the fact that everything is now coded in a working method that has completely taken up. Lucio Corsi, for example, has his truth, starting from the fact that he does not have a styling and is dressed in his clothes. That thing there is completely lost and for which what happens? You feel songs that are interchangeable, he could sing Tizio in Caio, who would not change anything substantially.“
A very interesting topic that goes perfectly with the last editorial of our director that you can read here.
