The four Tritonics transform their expression space into a alchemy of crazy times and detachments, maniacal unizes, free-jazz sketches and harmonious tampering with the four EP of four pieces “by grace received”.
In “Kodakons” an almost clownesco theme takes turns with a shin-rock matrix racing in a series of convulsive variations. The short “PT. 3 coagula” is practically only made of rhythmic section gragnuola and sax screams. The acidly corruscan phrasing of the guitar (continued by the voices) beats Thrash-Metal in “Supectra”, gradually offering anti-Rush GrandGuignoleschi exercises to a tragic ending. Sbotte in a Jungle sense, “Lalochetia 15137” gives the last very rapid parade: rough distortion to the panther, dematerialized improvisation of the sax, monkey of the noir extraction jazz, trembling guitars in the distance.
Career restart from the first EP (2017), from the ambitious “dysphoria” (2018) with the first “coagula”, and by “Metron” (2022) with the second “clot”, is an extreme scion of the glorious capitoline jazzcore school (zu, neo, Thrang, Squartet) which highlights, in the middle of virtuosism with white heat, a free form of class detachments between the chapel Soundscape ethereal. Sound-Fotocopy of the masters, you want Italians or want foreigners, but spectacularly credible. Good “total” sax of “Jpeg” (Andrea Paoloemili). Production: Leonardo Mirenda.
01/05/2025
Antonio Santini for SANREMO.FM
