Removed some unstoppable international success (Sombr, Alex Warren, our Damiano David, Sabrina Carpenter) and the national mega-stars Aitana and Dani Fernandez, the 2025 Spanish top 40 is a jungle of asses, short skirts, hymns not too veiled to sexual predation (the scandalous “La Morocha” of Luck Ra), Autone A-Là Bad. Bunny and countless as flat intersections between Urban and Latin – the Merenguon is perhaps the most terrifying of these Frankenstein.
However, there is a white fly in this cluster of sweat and beat postchi: “Malibu” by Rusowsky. Although composed of the same Latin-Urban material, the song of the Valladolid artist seems to come from another universe. The Beat Latin Urban, the Ruuetòn cadence and trap indolence are transfigured here, stunned, floating in an atmosphere of cotton candy, in a dimension where sweetness and torpor reign sovereigns.
The most important news is that the enchantment does not limit itself to a single succoring, but persisted for the entire duration of this debut with the scimion on the Flash yellow background on the cover. The news in the news is that the “daisy” of the title is not a ass to sniff and hunter from the track of the Dancehall At the bed, but an idealized and romantized creature by the rapper of Belarusian origin, with a do half between post-modernism and stylnovo.
And therefore the digital pampering of the synths, the slowed beats, theAutouman Ovatto and the docile plane runs that constitute the docile skeleton of the various “Sophia” and “Bby Romeo” become the theater of dreamed kisses, sighs and post-adolescent insecurities. In the same wake, but perhaps even more tender and confessional, “Altagama” makes the temptation to mention the Bedroom pop.
Bricy episodes such as “Johhny Glamor”, complete with Pianola House and hosted by the Las Ketchups (?!), And the small vortex dance of “Pink+Pink” add fantasy to a more handled disc than one might think when it is delivered to its slow and impatted mood. A rusowski rude even if he gives it, and it costs him half a point, when he invites Zowi for a “sukkkk !!” in which the refined guest makes the coffers tremble and bleed the ears between the effluvi of “Papi Chulo y rapperos que le comen in the chocho (papponi and rapper who eat his pussy)”.
It is a small neo, with the attenuating of the game, in a record that reinvents Urban Latina to the service of sweetness and honey, as well as one of the pop works of the current year.
02/10/2025
Antonio Santini for SANREMO.FM
