When two years ago we introduced the benefits from Middlesbrough (North Yorkshire) and their “nails”, we said of a band that made Brexit play like a noise deliquoun on which the charismatic leader Kingsley Hall rested a cynical and tension spoken Word. However, there was a piece, “Shit Britain”, planted more or less in the middle of the ladder, where guitars, industrial battery and distortions were put in the freezer to make room for beat and dance synthesizers.
It is important to remember it, because in “Constant Noise” we find the proportions between completely overturned noise and electronics. We therefore listen to Hall's caustic visions to scroll over electronic and beating even quite pushed – with the old Ruggito Noise relegated to practically alone, powerful “Lies and Fear”.
If more atmospheric situations are not lacking, think of the suggestions of “Constant Noise” and “Burnt Out Family Home” (which open and close the disc) or the dramatic antibellic interlude “Missiles”, most of the pieces seem packaged with the dance floor and possible remix in mind. The Synth Bass Scudisciati of “Land of the Tyrants” and the progressive IDM of “Victory Lap” are the clearest signs of this new approach, while listening to the electronic punk of “Blame” is difficult not to remember the brilliant meeting between Leftfield and John Lydon.
If Shakk's Grime appearance in “Divide” is not surprising, Pete Doherty's is really unexpected in the subsequent “Relentless”. In any case, both succeeded with the hole.
Just before leaving us all orphans of our favorite godfather, Steve Albini declared his unconditional love for the band. We do not know what could ever think of this electronic turning point, but on the message, the usual burning and contemptuous, would have no doubt. Just as he does not invade it of Geoff Barrow, who continues to plead the cause of the boys to this lap too.
09/05/2025
Antonio Santini for SANREMO.FM
