To the assets in Captain Croock, Quasar, Cosmolab, Japan Suicide and Varanasi, the multi -instrumentalist Ternano Saverio Paiella focuses exclusively on the electronic keyboards, relying on Chononokyma for an album of the same name of three long tracks.
The crescendo that leads to inspess the union of Balando Blando Balando and slowly alternating with “Kalapathar” drones sounds disorganized and all too informal, inelegant. The most extensive and without beat “Ksheera Sagara” (16 minutes), indeed it becomes at times a blanket, an polyphonic electronic elegia passed through a Wormhole Without climax or developments, an interminable overcomeness of timbre effects. The best is the third and last “Zhi”, an electrostatic climate of rarefaction on cardiac rhythm that changes on a rather aseptic cybernetic ballet/fantasy, never really dramatic.
Transcendental and professionalized evolution of his first home home attempt by ALTER-Ego analog 99942 Apophis, Paiella has embodied herself in an exercise of technical dexterity to the “Machinery”, of electronic knowledge, long-winded and with little flab. There is no shortage of moments of deep music and there are metaphysical traits of the Cluster-Ei. Cover microscopy: the union of two golden crystals via Nanoponte atomic (courtesy ncem).
08/05/2025
Antonio Santini for SANREMO.FM
