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Out of March 21 on all digital platforms the single of Alfredo Marasti Luther 2.0, who anticipates the sixth work in the studio of the singer -songwriter, The forgotten- monumental singing to lost identities.
Luther 2.0a folk-rock with a strong authorial figure, it is accompanied by video clipdirected by the same Marastiwith the participation of Elena Gigliotti (already seen, among other things, in Parthenope of Sorrentino), Matilde Pagni (aka Marla) e Tiziano Rovai. Photography is of Lorenzo Silano; help-hospitalization Francesco Bovara.
In Luther 2.0 – Alfredo Marasti tells – The “identity crisis” described in the other songs gives rise to a monstrous and proteiform character: this Luther does not write the 95 theses, but changes its theses every day depending on the algority: it is a sort of influencer who tries to adapt to the mainstream, but which ends up being inconclusive, violently self -centered, closed forever in his bubble.
In the video clip, together with him, in the apartment, he lives SHEa female presence – your conscience? An emanation of his fears? – Initially statuesque and unexpressive, which will gradually take control of the situation and him.
An intrusive He will try to enter, breaking the balance and monotony of Luther's life; She will not forgive the intrusion, eliminating the intrusive and imprisoning Luther forever in the apartment.
Luther 2.0- continues the author– he is a character in whom I do not identify, but to whom I still fear to get closer every time the frustration or fear close me at home a look at the world through the screens.
Playing on the styles of'HorrorLuther 2.0 is not only the portrait of a mysterious and disturbing fictitious character: he wants to speak in reality of all of us, barricaded in a “bubble” isolated from the outside and very careful to build around us – with our identity obsessions, with myths and traditions, with symbols, with language – a reality that resembles us as much as possible.
Alfredo Marasti
Singer -songwriter, director, writer and teacher, Marasti wins in 2006, with The moon and the thiefthe Fabrizio De André Prize in the category Best interpreter.
In 2013 he won Musicultura XXIV ed. In the section Best text with Song for Mariodedicated to the disappearance Mario Monicelli.
Has to the assets The alternative (Self -produced, 2012) Lolita Moon (2018, artistic production of Cassandra Raffaele), Other times (The hidden room records, 2020), The siege (The hidden room records, 2021) e Last D'Annunzio (The hidden room records, 2022).
IG: https://www.instagram.com/alfredo.marasti/
FB: https://www.facebook.com/alfredomarastiliveband
Daniel D`Amico for SANREMO.FM
