An intense, direct monologue, without discounts. Anna Tatangelo she returned to television on stage de The hyenas To tell himself in a monologue, with a new force and an awareness matured over time. A flow of thoughts that has the flavor of a confession, but also of a liberation.
The singer is back from the launch of her single for the summer 2025, Hell (here our video interview).
Anna Tatangelo's monologue to Le Iene
“I spent almost all my life to justify my existence, to explain who I was and why. At 15 they gave me the old woman, at 20 they were scandalized because I made a son with a man who had double my years“.
Starts from here Annafrom the awareness of having always lived under judgment. And not only that of the public, but also the most subtle one: that of the company. What you should be who you should be, how you should behave, who you should love.
“And then because I chose a younger one. My desires, my merits, my successes, if Anna Tatangelo is authorized to speak, have always passed into the background, behind the question. Why, Anna? Why?“
It is a cry that many women know, the one who continually asks for justifications for choices that men would be granted to men without batting an eye. A double standard that weighs. And that leaves deep wounds.
“I made choices of freedom, but everyone has always stopped on the surface. And then choices. How many of you have decided to fall in love and when? How many have chosen to find themselves sewn from birth the fear of not pleasure, the idea of not being enough for anyone?“
Words that tell a universal discomfort, but that in the body and voice of a woman become a daily battle. Anna Tatangelo He states clearly: “It happens above all to us women, in a society that hates what cannot control, who does not understand.”
The reference to Mina and the weight of the judgment
“Even to Mina, the greatest of all, was forced to justify itself for its relationships or for its physical form. So much to say in an interview: I know, I'm fat, but she is also Fitzgerald. Is it my fault if in this period at the French colony I prefer the broth with funds eyes?
He said he never managed to get used to the curiosity of the public, to the need to explain. Maybe I don't get used to it either.“
The anchors of Anna Tatangelo: music and son
Peace, conquered with difficulty, is the result of motherhood and the relationship with his son Andrea, and of the still unchanged desire to make music …
“But all this effort and this freedom made me what I am. Today I have two anchors, my son and the music. You cannot be superficial in taking care of a child, nor in a song, otherwise it does not survive at time.
It is only to them that I possibly I have to explain, but look a little. They are the only two from which they are not even asked.“
You can recover the monologue of Anna Tatangelo to The hyenas here.
